Thursday, December 18, 2008
finally i feel numb
the year ends, and with it
if not for you, i would be dead
Monday, December 15, 2008
transgression
you just crossed an invisible line
that i draw
to keep some people in
and exclude others.
now, it looks like
you are on your way out.
this is to say
goodbye
for the many wonderful moments
we shared.
Saturday, November 29, 2008
meeting you after years
the ordinary citizen of mumbai
Sunday, November 9, 2008
thought of winding up
Tuesday, September 9, 2008
Let me confess
Tuesday, September 2, 2008
it's been days since...
Wednesday, July 30, 2008
two days to eclipse
Tuesday, July 22, 2008
had a blast
Tuesday, June 24, 2008
proud unca
Tuesday, June 17, 2008
waiting to see you
Monday, June 9, 2008
you are out
Sunday, June 8, 2008
feel like studying
Tuesday, May 27, 2008
We don't get what we want!
Sunday, May 25, 2008
ready to run away
Thursday, May 15, 2008
you make me hope, again
of discontented want
fly-ash longing
as if they had
never been stilled
by the cold of
intervening years.
you make me want
love
hope that all will be well
at least this time around.
you speak of longing, losing
of honesty
of being vulnerable
of being just the way
you know how to be
when in love
you speak my language
or that smattering of it
that i had long given up
for dead
remnants from
a season of hope
long ago
that told barbaric
tales of longing and pain
suffused into a dim afterglow
after the memory.
you make me believe
that love, want and need
and companionship
are possible
and not just the stuff
of dreams
you agree the body does not lie
oh! you speak my long-dead
language
much better than i did,
than i dare do now.
you make me dare to dream,
albeit with a certain dread
you distill hope from nameless
fears
that have all but paralysed
me.
you make me trust
the ways of the heart
however wrenching
however sad
however scarred
it may lead me.
you fill my despair
with quiet spirit.
can i trust thee
to share my void?
run away please
after last night
and the long, intense
conversation
and the wine
and the ambience
and the flat-shoed
waiter wearing a
funny cowboy hat
i am scared
i will lose you
to the mist
like all those other ones
before.
i am terrified
you will walk away
from the conversation
just like switching off
a TV set after
a decent, sweaty round
of tennis.
i am afraid to fall in love
with you
because i know
it is just more heartbreaks
maybe the nth
in a series that began
truly long ago
in a time somewhere
in a land, far far away
in an age so innocent.
tell me you won't run away
like all those previously
tell me that it is here to stay.
every time i am done with the pain
comes another one.
oh! tell me this isn't
like all those other ones.
zonked!!!
to close my eyes
to the pain
that will inevitably
follow
your passing.
i leave quietly
helping you cross
the road
feeling zonked,
as if hit by
a doomed meteor.
i feel
like a dinosaur,
just before its last days.
Wednesday, May 14, 2008
buzzed on summer cyclist!!!
feeling strange since yesterday.
that's what intense conversations
and summer cyclists
can do your system
i mean, the mental well-being
of an unattached, single mallu
male who probably thinks
high talk is the most safe
and sure-fire way to turn himself
into an adrenaline-junkie.
what next?
endorphin transfers;-)))
and more philosophy
on the lives and loves
of schizophrenic entities
like us?
you tell me.
btw, is that red ink supposed
to signify danger
or exciting times ahead?
whatever,
bracing myself
for the tora-tora!!!
Tuesday, May 13, 2008
jaipur blasts
Monday, May 12, 2008
it is easy to be judgemental
Saturday, May 3, 2008
you made me distrust the night
from light black to charcoal black to dull grey to peeping crimson,
with its endless capability for
choking the mind
off feelings of you,
only to let it slip in
unfocused
as dreams that plague
sleep with deep dread.
just once
you told me, just once
that it was not all a dream
that you loved me as well
as deeply and as selflessly
as i did you.
is it too late to
let hope die
a past-perfect death
in kalaeidoscopic versions of you?
you made my world go around you, once
all one had to do
was love with feckless certainty
mutate want into boundless pain
leave the longing behind to the care
of icy waves
and,
preserve you in a state
of nameless flux.
now, with clarity
comes doubt,
a certain wistfulness
and a stabbing void
that refuses to
relinquish its tiny hold
on notions of you.
for whom the bell tolls
that it doesn't need
five years
and forced separation
to distill the want
into a palatable mix
of fading recollection,
and dull longing.
but,
it sure needs five,
and surely many more,
to still the pain
and the screeching
comfort of your touch
on a rain-starved
afternoon spent in
reckless abandon.
dreaming up intimacies
shreds of a past life
lived more in memory, and
spent trudging
at the contours of your
want.
i have this one
pretense to intimacy,
you tugging at my
shirt sleeve
just before we crossed
a road to nowhere.
this stretch is lonely
pushing thirty
with fewer years to go
and dying grey cells,
waning libido,
greying hair, and
a tummy to boot
i fear this lonely
stretch of the road.
another two decades
to go,
before i put in my papers
and seek eternal rest.
for all ye seekers of the flame,
this is the last reminder.
Friday, May 2, 2008
blinking in the distance
ever so faintly
like a star
at the first sign of dawn
sometimes
i wish
the night
stayed on
for a mite longer
to prolong that
glimpse of you
a little longer
Wednesday, April 30, 2008
had a lovely time today!!!
Tuesday, April 29, 2008
two things that tell me the world sucks
Saturday, April 26, 2008
to be...
Friday, April 25, 2008
honesty turns me on
Thursday, April 24, 2008
Through a Glass Darkly
Plus, has any one of you seen Dario Argento's movies? I saw Phenomena last night, essentially a murder mystery, but very different from the usual. It could even be classified as horror, although it doesn't have supernatural elements in it. I was scared.
Thursday, April 17, 2008
Monday, April 14, 2008
sometimes
take me to a place
with each passing year
and their immortal lines
'there is no pain
you are receding'
Friday, April 11, 2008
Reunion
Monday, March 31, 2008
amazing boss
to hell with shmucks
nobody tells me what to do
Sunday, March 30, 2008
Dith Pran (1942-2008)
http://www.nytimes.com/2008/03/31/nyregion/31dith.html?_r=1&hp&oref=slogin
fab weather
Wednesday, March 26, 2008
Saturday, March 22, 2008
that amazing feeling!
Thursday, March 20, 2008
five years in May
while you were there,
three months in all;
now that you are gone
the years have
etched fine wrinkles
into memory.
a bit upset
mortal thoughts
Monday, March 17, 2008
Bhagavatam
what do you do...
Saturday, March 15, 2008
unseen movies
why changing the position...
discovering layers to someone
touching base with old friends
Thursday, March 13, 2008
hoppin mad
Wednesday, March 12, 2008
void
collected love
between pages of a notebook.
only, the notebook has yellowed
with time's passing
and all you
collected loves
have dropped off
along the way.
when we held hands
a frnd is back
ides of March
feelin wonky
Friday, March 7, 2008
what stops me from thinking?
Tuesday, March 4, 2008
talking to strangers
Saturday, March 1, 2008
holding a grudge is such a waste of time
Friday, February 29, 2008
missed a friend's bday!!
Saturday, February 16, 2008
where have you gone?
at the first hint of sunshine?
it is just not the same
without memories
of you around.
Tuesday, February 12, 2008
empty
Saturday, February 9, 2008
Andrei & Ivan
Drip. Drip. Drip…
The camera zooms in. To the shivering horror. Ivan’s face is grimy, with eyes that have lost their sense of time, ordering the Sergeant to inform HQ that he has crossed the line.
And all the time, like a recurring sound motif, the dripping water assaults the viewer’s senses. Grating at our understanding of War. Challenging us to stay aware. In the end, it is the water that leads Ivan back to his territory and death. No military school for him. Just a leaf’s existence behind Nazi lines, scout to
Sun and sand dissolve into bleak montages of tepid rivers, a bell is used to pound our attention to the still-born angst of Ivan’s Childhood, as Andrei Arsenevich Tarkovsky weaves his camera between light and dark, shadow and sound, close-ups and profile shots to create magic in the movie that made the world sit up and take notice of the poetic film-maker par excellence.
Set in the tumultuous times of the Second World War, as the Nazis are gaining on the Motherland, as families such as Ivan’s are getting shot, as villages are being burnt to rubble, the film is war at its hurting best. Especially because it is seen through the eyes of the 12-year-old Ivan and his army protectors, who take turns to push him away from the front, into school. But school is not for Vanya, who has crossed the dreaded river, swimming into friendly zone to alert his handlers of Nazi positions across the line — using berries, roots, stones and twigs to determine columns and garrisons. And go back, he insists he must, to save other families such as his. That is his destiny. That is the end of him. He resurfaces only as a statistic post the war. Hung to death, we are told by the victorious soldier sifting through the scattered documents.
This is Tarkovsky striking at the root of all human conflicts, his narrative punching holes into every argument for war and its glorification. What a contrast to say, mainstream Hollywood fare like Saving Private Ryan.
This 1962 film was Tarkovsky’s first feature length film and the viewer gets a glimpse of what is to come in his later works, works that are visually brilliant and shorn of random symbology.
Like the surrealistic Solaris. Tarkovsky’s sublime interpretation of humanity’s struggle to retain its humanism in a world that deifies science and its achievements. How the director manages to marry two of mankind’s essential concerns in a sci-fi story that, by itself, is capable of asking some of the most troubling questions of our time, is where his brilliance lies. And why he is widely regarded as one of the most poetic film-makers of the last century. Adapted from Stanislaw Lem’s science fiction novel by the same name, it is probably Tarkovsky’s most visually enthralling film with its magnificent wide-angle outdoor shots, juxtaposed with shots of the confined spaces that make up the space station where most of the action takes place.
Beginning with a breathtaking shot of a leaf coursing through a rivulet in utter silence, and taking us on a journey from the nature that we see to the alien nature that we can only experience as manifestations of our own deepest longings, Tarkovsky’s camera pans, pirouettes and literally gobbles up the screen like a Shakespearean monologue. Till we are yanked into the minds of the scientists who have come to face their own fears that the planet throws up — one of them commits suicide, two are near schizophrenic, and the protagonist, psychologist Kris Kelvin, falls in love all over again with his long-dead wife, resurrected by the Entity.
It is a movie that defies categorization into any genre, although it is part sci-fi, consuming our thirst for understanding the human capacity to love in a canvas so vast that two hours and 49 minutes just dissolve into the mist of the froth bubble that is the planet core. For every one who wants to delve into Tarkovsky’s film-maker mind, this is a must-see. And for comparison, try and catch
Tarkovsky’s kitty includes such gems as Andrei Rublev, Stalker, The Mirror and Nostalgia, shot in
Bend it like London!
The capital of the Empire on which the Sun barely managed to set, rushed us about with brutal royalty, quaint cabs and cobble-stoned pavements — stopping only in front of red phone booths that reminded of Wole Soyinka’s “Telephone Conversation.”
7/7 was just a Jungian archetype now, it seemed, until we met furtive glances that forecast it was probably the city’s first of many-to-come festering wounds. Not to forget tough-looking air hostesses, famed for their British matter-of-fact politeness, sandwiched into their training manual demeanour.
And history began at the waterfront, with the
Morning brought in coffee and eclectic conversation, interspersed with the old English habit. But the daily had stories of gore, of death by asphyxiation and Blair’s battles in the Commons. Stepping out, with windows for sight screens, stone edifices everywhere helped retain both the warmth and the chill of the stiff, upper-lipped English. The great
Or so the condescending tour guide told us, all the while admiring an Aston Martin that had snuggled up alongside the bumpy
The capital of a nation that, by turns, revered its footballers and loathed their coaches, seemed a touch lazy on the senses, that supine November day of the azure blue sky filled with memento hunters from the former colony. Eagerly walking the spotless sidewalks, with just a blur of faces for company, some with laced hats, and gloved hands that had seen, perhaps, the cold, meatless days after the War. In retrospect, it seemed just like a scene out of 84,
Everywhere, the quiet bustle of feet as commuters jumped over cobble-stoned pavements, hurried through traffic lights and slipped in and out of city stores like stage sets straight out of the Opera. Like Phantoms, in a place known to be cold to friends and slightly less than freezing to its many acquaintances.
The feet that conquered diverse lands, could also dance to the tunes of a lady, it seemed.
one day i noticed...
am free to write
two things on my wishlist
world wide worry
Monday, February 4, 2008
five years in July
yesterdays like a quiet cat
on soft legs,
and i sit,
drawing the night up close
like a blanket
to hide memories of you.